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Showing posts from May, 2017

Self-Analysis Through Portraits

 Portraiture isn't just about capturing a likeness. A good portrait communicates something about the person who is the subject matter of the work. I have always liked the work of the English portrait artist Sir Thomas Lawrence. Many of his subjects were famous people such as the Duke of Wellington but that is not what makes the works interesting. A look in the eyes, the smile, the position of the body reveal something about Lawrence's people even the ones who history has forgotten. You feel like you would have liked to have met them. Along the same lines, this is why most portraits done by sidewalk artists are disappointing. Many are great technically. However, in most cases, the artist is merely producing a likeness without seeking to know or understand the person who is the subject. Since portraiture can (and should) be a way of communicating something about the person who is the subject of the work, it can be a means of self-analysis. In order to

Using Milk as a Fixative for Drawings

I had an idea for a drawing so I grabbed an old piece of soft charcoal and a pad of newsprint paper and began to sketch out my idea. The sketch was coming along when I decide to use my finger to smudge one of the lines. To my horror, not only did the line smudged, it all but disappeared. Clearly, this image would not stand up to being stored or displayed. By this point, the drawing had progressed quite far along. I thought about copying it over onto a better piece of paper using another medium. But that would be a lot of work and besides I liked the effect that this soft charcoal was producing. So I decided to finish the picture and see if I could find some way of fixing the image to the paper. I use charcoal quite often but I usually do not apply fixatives. I don't like chemical odors and so rather than use chemical fixatives I just store my charcoal drawings as carefully as I can and just accept that there will be some deterioration in the image. In any case,

Turning Wasted Time Into Practice Time

 Practice, practice, practice - - you read it everywhere, it is the key to improving your skills as an artist. But in order to practice, you need time and time is hard to come by. There are a million things that need to be done everyday ranging from doing the laundry to making a living. When is there time to practice? One thing that I have found helpful is to carry some paper and some type of drawing instrument with me and just sketch whenever there is down time. I sketch on commuter trains, when I am by myself in a restaurant, when I am waiting for the computer to upload, download or some other task that takes time. This practice has benefited me in two ways. First, I have seen a noticeable improvement in my art skills. Second, what had been wasted time is much less boring than it used to be. Train rides are not as long as they used to be. Doctors and dentists don't keep me waiting as long as they used to do. So what to draw? You can draw what is before your e