Practice,
practice, practice - - you read it everywhere, it is the key to
improving your skills as an artist. But in order to practice, you
need time and time is hard to come by. There are a million things
that need to be done everyday ranging from doing the laundry to
making a living. When is there time to practice?
One thing that I have found helpful is
to carry some paper and some type of drawing instrument with me and
just sketch whenever there is down time. I sketch on commuter
trains, when I am by myself in a restaurant, when I am waiting for
the computer to upload, download or some other task that takes time.
This practice has benefited me in two
ways. First, I have seen a noticeable improvement in my art skills.
Second, what had been wasted time is much less boring than it used to
be. Train rides are not as long as they used to be. Doctors and
dentists don't keep me waiting as long as they used to do.
So what to draw? You can draw what is
before your eyes. I once saw a video in which the popular artist
Thomas Kingkaid said that he always carried a notebook in order to be
able to sketch anything interesting that he chanced upon. But the
places where I do my sketches are by definition boring places. There
is a limit to the possibilities inherent in the inside of a railroad
car. Also, people tend to become nervous if a stranger is staring at
them.
Consequently, I usually rely on my
mind for subjects. I draw sketches of people that I have met over
the years or places that I remember. In addition, I try to work out
problems such as how the eyes look when a face is turned in a certain
direction.
I will concede that such memory-based
subjects require some knowledge of the rules of proportion and
perspective. However, doing these sketches has helped me understand
the practical application of what heretofore had always seemed like
academic theory.
To supplement the memory-based
subjects, sometimes I turn to the photos on my smart phone. I have
included in my phone's photo gallery images of a number of people and
places that have meaning for me or which I have found interesting.
These photos can be used as subjects. Be careful not to drain your
phone's battery, however.
These sketches are not meant to be
works that anyone would hag on their wall. They are just quick
sketches - - often I will do a half dozen in a sitting. As above,
they are intended primarily to improve my skills. Since they are not
intended to be seen by anyone, I can relax while doing them. As a
result, I have found that I am less tense when it comes time to do a
more formal piece.
When I really like an idea embodied in
one of these sketches, I generally will copy it later on a larger
scale. I have used an idea from one of these sketches for a whole
series of more formal works. Another path is to photograph the
sketch, transfer it to the computer and use it as a basis for a
digital work.
This need not be an expensive
practice. One could purchase small sketch books and a good drawing
instrument. However, most of the sketches that I have done were on
the backs of scrap paper. The little note pads that hotels provide
to jot down phone messages are also a favorite. As for the
instrument, I often use golf pencils because they fit easily in my
pockets. However, I prefer a pen-like Sharpie.
One unintended consequence of this
practice is that people talk to you. Most people do not ordinarily
come across art work being created. They want to find out what is
going on and see the work. Often they tell you a little bit about
themselves. It has been a very pleasant experience thus far.
Below is an example of a sketch I did while commuting on a train. The materials were a piece of note paper and a Sharpie. Examples of my more formal pieces can be seen at Beyondships Art.
Below is an example of a sketch I did while commuting on a train. The materials were a piece of note paper and a Sharpie. Examples of my more formal pieces can be seen at Beyondships Art.
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